PITCH ACCURACY |
This performance does
not demonstrate an expression of musical notation. 1 - 2 |
Wrong pitches detract
from the performance. 3 - 4 |
Most pitches are
correct, with only a few spots of inaccuracy. 5 – 6 |
Virtually all pitches
are correct. 7 – 8 - 9 |
All pitches are
correct. 10 |
|
RHYTHMIC ACCURACY |
There are significant
rhythm problems. 1 - 2 |
There are several
places in which the rhythms are unclear. 3 - 4 |
Most rhythms are
correct, with only a few spots of inaccuracy. 5 – 6 |
Rhythms are accurate
and clear. 7 - 8 |
Rhythms are
precise. Attacks and releases are executed exactly. 9 - 10 |
|
TEMPO / TIME relationships _____ |
Beat definition is not
evident. 1 - 2 |
Beat definition has
several problems. 3 - 4 |
Beat definition has
few problems. 5 – 6 |
Beat is clear. 7 - 8 |
Beat is clear and the
tempo is solid. 9 - 10 |
|
TONE high range / dyn ____ |
Major problems hinder
musical expression. 1 - 2 |
Tonal concept is
underway, but needs further refinement. 3 - 4 |
Tone is clear, but
lacks maturity. 5 – 6 |
Tone is characteristic
of the instrument. 7 - 8 |
Tone is well
developed. 9 - 10 |
|
INTONATION large intervals _____ |
Intonation creates a
barrier to playing in an ensemble. 1 - 2 |
There are consistent
instances of intonation problems. 3 - 4 |
There are occasional
instances of intonation problems. 5 – 6 |
Intonation does not detract
from the performance. 7 - 8 |
There are few
intonation problems with this performance. 9 - 10 |
|
EXPRESSION style _____ |
The performance does
not express musical ideas effectively. 1 - 2 |
Expression is
inhibited, or too subtly conveyed to the listener. 3 - 4 |
Performance is
expressive, but certain areas are still lacking. 5 – 6 |
Musical expression is
evident throughout. 7 - 8 |
Performance clearly
expresses musical intent of composer. 9 - 10 |
|
ARTICULATION attacks / releases
____ |
The composer's intent
was not communicated well. 1 - 2 |
There are many places
where articulation is an issue. 3 - 4 |
Articulation is mostly
well executed. 5 – 6 |
Articulation is well
performed throughout. 7 - 8 |
Articulation enhances
the performance. 9 - 10 |
|
FACILITY posture _____ |
Ability to control the
instrument needs significant work. 1 - 2 |
Several basic
components need attention for better facility. 3 - 4 |
Good fundamental
approach. Performance lacks only fluency. 5 – 6 |
Student has
appropriate control of the instrument. 7 - 8 |
Student has achieved
fluent control of the instrument. 9 - 10 |
|
Solo Performance (80
points out of a total of 140) |
SUBTOTAL: |
|
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